holiday?

July 1, 2008 – 10:05 pm

Based on my recent blogging activity, one could think I’m already lying under some palm tree with a cocktail in my hand. Too bad I’m not. The past two weeks I shot more pictures than ever before in such a time span. It shouldn’t come as a surprise that this schedule didn’t allow me much blogging time. Most of the work was corporate photography and often I’m not allowed to show it here.

It will be a pretty hard task to finish my to do list before the family holiday. But despite the pile of work, I try to enjoy the holidays already from time to time. Noa can still go to daycare but Maya and Kobe don’t have school for the next two months. We don’t always have/want a babysitter/grandparent/activity for them so I try to spend some quality time with them.

Kobe and Maya really wanted to go camping but a trip to the hills or the coast was not possible at this time. So we found a camping spot closer to home … really close actually: our backyard. But that didn’t matter to Kobe and Maya at all.

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It took a while before sleep won the battle with excitement but in the end they fell asleep.
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Kobe and Maya loved it and to be honest … so did I. I almost forgot how much I like sleeping in a tent. Luckily I have kids that give me a good excuse to sleep in the garden.

Hildozine Pocketwizard Caddy

June 25, 2008 – 9:33 pm

In a comment on my most recent video, Moishe from MPEX suggested to use Hildozine Pocket Wizard Caddies to attach my Pocketwizards to the stand or flash. Strobist wrote about these caddies a while ago but for some reason I didn’t pay much attention to it.

Until now, I just let the PW’s hang from the lanyard. But it’s clear that this isn’t the most elegant nor equipment friendly solution. My way of working often requires moving flashes all the time. The pocketwizards are in for a serious beating with all this banging into the stands.
My handy dad and I have been trying to make a custom bracket but in the end it wasn ‘t what I expected.

So when I received a package from MPEX containing two Hildozine PW caddies, I was pretty curious yet a bit sceptic to see if these things would be THE solution. A few incredibly busy days packed with assignments allowed me to give the caddies a good testdrive.

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photo copyright www.hildozine.com

At first sight a PW caddy is just a piece of plastic and a rubber band. Heck, at second and third sight it still looks like a piece of plastic and a rubber band.
But this is a pretty handy piece of plastic. I like simple designs that work and the caddy is one of those designs. The PW fits perfectly in the caddy and when you fasten the screw PW and caddy become one. Attaching it, is a breeze.

I personally prefer to attach the caddy straight to the flash rather than to a stand (like in the picture below)/

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photo copyright www.hildozine.com

I have used the caddies on a few shoots and I wouldn’t want to work without them anymore. This is a very practical solution that has been designed really well. At 15 dollars it’s not too expensive either. I think every pocketwizard should come with a Hildozine caddy but in the mean time you can get them here at MPEX.

I don’t have time for that

June 20, 2008 – 11:15 pm

I get a lot of e-mails from people who like to find ways to become a better photographer. When I tell them that lots of practice is the key to improvement, many say “yeah, but I don’t have time for that”.

Bad news for those who seek an excuse for not improving , good news for someone who wants to grow as a photographer: EVERYONE HAS TIME TO PHOTOGRAPH !!! It may be hard to plan that shoot with Naomi Campbell and you may not see a giraffe every day. But everything is better than not shooting at all.

Yesterday I got into a huge rainstorm on the highway. The traffic slowed down to a very slow pace. That allowed me to take some pictures. These are the kind of situations why I (almost) always carry at least my compact camera.

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You won’t hear me say that these pics are masterpieces. I probably wouldn’t have posted them if they weren’t the trigger for this post. These pictures don’t stand on their own but many of them have an influence on my ‘real’ work.

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Don’t panic if you don’t carry a camera or the situation doesn’t allow for photographing. Enter the concept of (what I call) ‘mental photography’, taking pictures in your head. When you see some nice light, a cool background or an exciting composition, try to imagine how to photograph it. It may sound like a silly idea but I just know that a lot of ‘mental photography’ allow me to develop some good reflexes. I have been doing certain actions, settings and technical solutions so many times in my fantasy that I don’t have to think about them anymore when actually shooting. It has become second nature.

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Last but not least: I’m improving your quality of life by promoting shooting  everywhere and doing mental photography. Because someone who practices these ways of photographing will get rid of a huge chunk of the daily annoyance. In stead of getting angry when you are stranded in a traffic jam, you use the unique opportunity to get a shot of the guy next to you, picking his nose. Or you can find cool locations while looking around. While you are waiting in a line, you think of a good way to light that sexy babe / hunk in front of you. The possibilities are endless. Try it!!!

Strobist DVD box Review

June 10, 2008 – 4:22 pm

I finally managed to get through my copy of the 8 disk Strobist DVD box. If only this had been available a few years ago when I started to learn about lighting. Man oh man, that would have saved me lots of time, costly mistakes and frustration.

This set is like an audiovisual bible for anyone who wants to learn to light with speedlights but it’s just as interesting for people who studiolights or even just natural light. Light is light, after all.

I don’t believe in instant solutions in photography and although you get diagrams, settings, etc this DVD isn’t about ready made solutions. It makes you understand, think and act. I guess it comes down to the difference between knowing a few tricks and actual knowledge. Most photography DVD’s show you some tricks without explaining why the tricks are used. David digs deeper but has the talent to serve a vast amount of knowledge into easy to digest chunks.

Let’s take a look at the different parts:

Disk 1 - Lighting Gear for Beginners

If everyone would have this disk, the amount of gear related questions in my mailbox would be easily cut in halve. If you want to get started with speedlights, this disk is your friend. I’ve been experimenting with speedlights in the pre-strobist era and I can tell you that it was hard to get the info I needed. Nowadays the info is available on the strobist site, forum and lots of other places, but it can still be hard to find exactly what you need. This disk makes getting the info, a piece of cake.

Disk 2-5 - Strobist Lighting Seminar

I was at the Paris seminar / standup comedy show, so I knew what to expect. But even for anyone who already attended a seminar, this is interesting. Watching David think on his feet, is refreshing. The other thing is that in Paris I missed half of the info because I was laughing to hard at David’s jokes. Nothing beats a real seminar but this is comes close and is cheaper.

Disk 6-8 - Bonus Material

No question about it, David is an excellent teacher but one would almost forget that he’s a damned good photographer too. Nowadays he often shoots pictures to illustrate a technique, piece of equipment, … He does a great job too but I can tell he loved being creative to do the shoots for the bonus disks. To me, the bonus disks are the most interesting. I learned a lot from seeing David using his experience in solving technical problems but also in communicating with subjects, assistants, …

There’s been some discussion about the production value and price of the DVD set on some forums, but to be honest, that makes me mad. No, it isn’t a slick hollywood production but videographer Bill Millios did a good job with limited resources. The images are clear and the audio crisp, that’s what counts to me. A big production would drive up the price without giving any more actual information. Heck, I think David sells the set way to cheap. David took a big risk by investing so much time and cash in this project, risked his camera in the swimming pool and risked his life doing a standup under gunfire (yes, gunfire).

Conclusion:

This DVD box is a must have for everyone who’s serious about lighting. It belongs right next to my Dean Collins DVD’s and my favorite book Light: Science and Magic. The DVD-set is out of order as I write this but there should be a new batch available soon. I’m sure Moishe and his MPEX-team are ready for the next rush. Order your copy here. And please don’t copy or put the video’s online.

Porcelain

June 8, 2008 – 1:21 pm

I can still remember the time that my sister and I said to my mom: “Mom, you have to find a hobby!”. I don’t know why but at that time she went to a pottery course. Now, many years later, is my mom and inspired ceramic artist who combines knowledge, skill, creativity and a handy husband to create the coolest works of art.

This year she is graduating in the academy and she has to make a booklet as a kind of summary of het last year. It’s not a surprise that the booklet task landed on my desk and how could I refuse to give something back for all she did for me.
She needed a portrait for the booklet. No need to tell you that a simple ID picture was out of the question for us.

Mom

To link the portrait to ceramics, I asked my mom to put porcelain clay on her face. We waited until it was dry and started to crackle before we started shooting.

After a few experiments, I was most happy with a lighting setup with my two extremely expensive striplights behind and to the side of her head (just out of the frame). To get a minimal depth of field I used the 1Ds mkII at 50 iso with the 50mm lens at f1.6.
At that aperture my Vivitar 285HV flashes (that can be dialed down to only 1/16th) gave way to much light. I could have used my 580 EXII’s (that can be dialed down to 1/128th) but they don’t fit my striplights. I solved this by gaffer taping three layers of white fabric to the front of the striplights.

Confessions of a Photographer - Episode 7

June 4, 2008 – 2:15 am

Would you like to know where the creative process I wrote about has lead me? Here’s part one of the shoot with Erika, Ake en Frederik.

Here are the pics in a slightly better quality:

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This has been a good exercise for me. I’ve been looking for directions I like to evolve my style into. The pictures in these series may not give a clear image of that evolution but for me some things are becoming a bit more clear.

Strobist DVD set

May 28, 2008 – 11:17 am

The waiting is over, my friend David Hobby aka Strobist has put his long awaited DVD’s on the shelf.

The set consists of no less than 8 DVD’s !!!!! The first one is about the basics and equipment. The next 4 cover one of David’s famous seminars, like the one I attended in Paris. The remaining 3 DVD’s show a number of shoots on locations. More info about the DVD

The full set, costs only 139USD + shipping. Even without seeing the DVD’s I dare to say that’s a bargain. There should be a DVD set heading my way, so when I finished the Strobist marathon, I’ll give you a full review.

I’m sure the first batch of 1000 sets will be sold out fast, so don’t hesitate to order your copy.

Off-camera Flash Demo

May 28, 2008 – 10:00 am

Two days ago, I gave a demonstration about working with off-camera flash on an event by the Belgian Association of Professional Photograpers. We started of with a 20 minute presentation in a pretty full room. My friend Pieter helped me out by explaining how he uses wireless flash on weddings.

A bit later, I put the theory into practice with a live model shoot. Just like on my workshops, I didn’t prepare any images because I want to give an honest impression of my way of working (including the mistakes). It’s not easy to look for light and backgrounds, set up flashes, make pics while explaining what I was doing to 50-60 fellow pro’s.

We started out indoors with one flash and a shoot through umbrella. At 1/250 and f/4 there was virtually no ambient light in the picture.

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To create a bit more depth and separation between model and background, I placed a second flash with a grid behind our model Mieke.

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A third flash was pointed to the floor behind the model for some more separation.

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I then shot the portrait below with just the ambient (window) light at iso 800, 1/80 and f/2.8.

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We also made a variation with a little hair light.

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We then went outside for a picture with one flash that overpowers the daylight and lights the background as well as the model.

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The flash that lights model AND background in the picture above was used as just a background light in the picture below. A second flash to camera right became the main light.

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For the final setup, I uses a single flash with shoot through umbrella. I wanted to show how you can change the background and atmosphere in the picture by simple changing the shutterspeed. The picture below is shot at 1/250.

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This one is at 1/125:

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and 1/50:

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We finished the demonstration with some pics with Mieke sitting on the ground.

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I really enjoyed the event, talked to old friends, met new ones and learned a lot from the other speakers.

Crash @ Brussels Airport

May 25, 2008 – 8:22 pm

I live pretty close to Brussels Airport. Most of the time we don’t have to much noise problems but this morning the planes were getting off on the short runway that goes more or less in our direction. We had lots of noise and then … silence. This is why:

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A Boeing 747 from Kalitta Airways didn’t make it into the air, slide of the runway and broke in two piece. In a journalistic reflex, I grabbed a camera and headed towards the crash site.

Because I was there only minutes after the crash, I managed to talk myself past the police and firemen. A few minutes later, they got their stuff together and everyone had to move.

Their don’t seem to be any victims but the crew member in the picture below seemed a bit shocked.

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Another crew member took it easier. He took a deep breath, shrugged and lit a smoke. It looked like he has a crash like this every few weeks. Maybe he was happy to get a smoke much faster than expected.

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All in all I think we were all very lucky because this could have been a lot worse. The first picture was taken from my mother-in-law’s front door. The last pic is made 20 meters from a friend’s parents’ house. Imagine what would have happened if the plane got 100 meter further or got on fire …

The Creative Process - Music

May 18, 2008 – 8:04 pm

For the last step in my creative process before the actual shooting starts, I often use music. Based on my state of chaos and some keywords I pick some songs in my iTunes library that feel right. This is done by intuition rather then reason. I can pick a song about a broken heart for a happy shoot or a classic piece for a futuristic shoot. Sometimes I choose based on the lyrics, but it can be based on melody, voice, … as well.

I put those songs on my iPod and usually listen at night in bed because that allows me to pretend not to have heard a crying kid because I can’t help seeing images when I close my eyes and listen to music. Those five minutes in the twilight zone between being awake and asleep are the best. During those magic minutes my brain seems to forget all we are supposed to know as an adult.

For this shoot, my iTunes playlist contained these songs:

Girl - Anouk
Mourir à plusieurs - Arno
Total Eclipse of the Heart - Bonnie Tyler
You’re So Vain - Carly Simon
Dreaming - Chicas Del Rock
Proud Mary - Creedence Clearwater Revival
Jolene - Dolly Parton
American Pie - Don McLean
Always On My Mind - Elvis Presley
Iris - The Goo Goo Dolls
Patience - Guns N’ Roses
Cocaine - J.J. Cale
Leaving, On a Jet Plane - John Denver
The Dolphin’s Cry (New Edit) - Live
Refugee - Melissa Etheridge
Song X - Neil Young
Dear Mr. President - P!nk
Houston - R.E.M.
Iedereen Is Van De Wereld - The Scene
Oró, Sé Do Bheatha ‘Baile - Sinéad O’Connor
Troy - Sinéad O’Connor
Weak - Skunk Anansie
Don’t Talk - 10,000 Maniacs

Those who have iTunes can take a look/listen at the iMix

You’ll have to be patient to see the final results of this creative process. We shot some video during the shoot, so there will be another YouTube episode. But first I need to find the time to process the pictures and edit the video. But here’s a sneak preview:

Erika Forest - preview